Showing posts with label creative nonfiction. Show all posts
Showing posts with label creative nonfiction. Show all posts

Tuesday, December 1, 2015

Writers Conferences from San Francisco to VT

With the new year quickly approaching, it isn't too early to consider attending 2016 writers' conferences! Here's a round-up of several top-notch conferences that cover the west coast, east coast and midwest, ordered by date of event. Some require an application to register:

San Francisco Writers Conference
Date: Feb. 11 - 14, 2016
Location: Mark Hopkins Hotel, San Francisco
Cost: $725 (early rate until Jan. 1)
Register: click here

Highlights: 80+ sessions for writers–from the craft of writing to the business of publishing. Elegant keynote luncheons and networking breakfasts are included in the registration fee as is the Welcome Gala on Friday night. See list of presenters, agents and editors here.

AWP Conference & Bookfair
Date: March 30 - April 2, 2016
Location: Los Angeles Convention Center & JW Marriott LA
Cost: varies ($50 student to $260 nonmember
Register: Pre-reg. until Feb. 12

Highlights:  The 2015 conference featured over 2,000 presenters and 550 readings, panels, and craft lectures. The bookfair hosted over 800 presses, journals, and literary organizations from around the world. AWP’s is now the largest literary conference in North America. See list of presenters here.

Creative Nonfiction Writers' Conference
Date: May 27 - 29, 2016
Location: Wyndham University Center, Pittsburgh
Cost: not listed
Register: opens Dec. 15

Highlights: In just three days you can meet one-on-one with a literary agent, get advice from professional writers, learn about publishing options, and do some writing in an inspiring small-group session. You’ll also meet and mingle with writers from across the country who share your excitement about the writing process. 

The Riverteeth Nonfiction Writers Conference
Date: June 3 - 5, 2016
Location: Ashland, Ohio
Cost: $425 (student scholarships available by March 15)
ApplyApplications submitted before April 15 will receive a $50 discount on registration

Highlights: A weekend of manuscript consultations, seminars, and readings, all focused on the craft of nonfiction. The conference will emphasize essay, memoir, literary journalism, and building the kind of relationships that sustain writers throughout the writing process, from early draft all the way through to book promotion. Your conference registration fee includes admission into all panels, seminars, social events, book signings, and open-mics, breakfast Saturday and Sunday mornings, and a complimentary one-year subscription to River Teeth. See list of presenters, including keynote Dinty W. Moore, here.

Bread Loaf Orion Environmental Writers' Conference
Date: June 3 - 9, 2016
Location: Bread Loaf Campus of Middlebury College, Ripton, VT
Cost: $2,140 general contributors; $1,820 auditors. Includes tuition, room, and board)
Apply: March 15 deadline; $15 fee

Highlights: This week-long conference of workshops, classes, lectures, readings, and discussions is for writers who want to improve their writing about the environment; for writers who seek to become better advocates for the environment through their writing; for poets who are drawn to writing about the natural world; for teachers and scholars who wish to write for a more general readership; and for environmental professionals who want to bring better writing skills to bear on their work. See list of faculty & guests here.

Middlebury Bread Loaf Writers' Conference
Date: Aug. 10 - 20, 2016
Location: Bread Loaf Campus of Middlebury College, Ripton, VT
Cost: $3,170 general contributors; $3,035 auditors. Includes tuition, room and board. 
Apply: March 1 deadline; $15 fee

Highlights: Workshops in fiction, poetry, and nonfiction are at the core of the conference. Each faculty member conducts a workshop that meets for five two-hour sessions over the course of the 10 days. Groups are kept small to facilitate discussion, and all participants meet individually with their faculty leaders to elaborate on workshop comments. Faculty members also offer lectures on issues around literary writing and one-hour classes on specific aspects of the craft. See list of faculty & guests here.




Monday, October 19, 2015

Creative Nonfiction Issue 57: Making a Living

The long-awaited Fall 2015 issue #57 of Creative Nonfiction magazine, in which my essay "Crisis" is featured among seven pieces, finally arrived in my mailbox on Friday. What a great precursor to a celebratory birthday weekend! Here's a preview about the issue, emailed in the October newsletter:

NEW ISSUE: Making a Living
IT'S NOT ALWAYS ABOUT THE MONEY
For the young office temp, the state executioner, the musician, the activist, the refugee worker, the rape crisis counselor, and the estate planning attorney whose stories are featured in Creative Nonfiction #57, making a living is about more than just doing a job.  

It's about duty and survival and working meaning out of the days.

This issue features some of the most vivid, memorable, powerful prose we've ever published--stories that make you stop and sit and read and learn and think and forget everything else around you at least for a little while. 

No matter that I got two rejections  (ok, make that three, as I just got another!) for other essays of mine that are making their submission rounds, including this one from Hippocampus Magazine:
"We were impressed with many of the pieces submitted to our contest; narrowing down a few hundred selections to six finalists was a challenge. Your submission, Pearls was read with interest, but it was not selected as a finalist."
Laying eyes on the beautiful layout of Creative Nonfiction, seeing my byline and reading the essay I began in my MFA program five years ago--finalized after many drafts and some fine-tuning in collaboration with managing editor Hattie Fletcher--was truly this writer's dream realized. In addition to a check (a rarity from literary magazines and journals), I received this lovely personalized note from the amazing Hattie.

It was a busy birthday weekend of brunches, Sonoma County Art Trails open studios, a farmers market Vietnamese coffee and bakery breakfast, a regional park hike, a bottle of bubbly and a princess cake. Now it's back to blogging, writing and working... but I can't wait to settle in with the new issue and read all of the other printed essays alongside mine. Curious?

Order your issue of Creative Nonfiction here!

Tuesday, March 11, 2014

7 great writing contests for literary journals with upcoming submission deadlines

It's time to get that essay, short story or memoir excerpt into tip-top shape and submit. I did!
(Be sure to click on each link to read the submission guidelines. Most entries can be submitted online and require a reading fee of $15-25, which also goes toward a subscription to the journal.)



Gulf Coast is now accepting entries for the 2014 Gulf Coast Prizes in Fiction, Nonfiction, and Poetry. 
The contest awards $1,500 and publication in Gulf Coast to the winner in each genre. Two honorable mentions in each genre will be awarded $250. 
All entries will be considered for publication and the entry fee includes a one-year subscription to Gulf Coast.


Deadline: March 24th

The Arts & Letters Prizes competition offers publication and a $1000 (US) prize for winners in: Fiction (Short Story), Poetry, Drama (One-Act Play), and Creative Nonfiction (Essay). 

In addition to publication and $1,000 prize, the prize-winning one-act play is produced at the Georgia College campus (usually in March); the winning playwright is brought to campus to attend the production and receive the prize.



FOURTH GENRE STEINBERG ESSAY PRIZE 

Deadline: March 15
Fourth Genre will seek the best creative nonfiction essay for its annual Fourth Genre Steinberg Essay Prize. Authors of previously unpublished manuscripts are encouraged to enter.
The winning author receives $1,000 and the winning entry will be published in an upcoming issue of Fourth Genre. Runner-up entry will be considered for publication. 
Electronic submissions will not be considered.


Deadline: March 31, 2014


WE’RE LOOKING for short shorts, short stories, essays, memoirs, photo essays, graphic stories, all forms of literary nonfiction, and excerpts from longer works of both fiction and nonfiction. Entries must be previously unpublished, no longer than 15,000 words, and must not have been previously chosen as a winner, finalist, or honorable mention in another contest.
As always, we are looking for works with a strong narrative drive, with characters we can respond to as human beings, and with effects of language, situation, and insight that are intense and total. We look for works that have the ambition of enlarging our view of ourselves and the world.

Awards: First Prize is $2,500, Second Prize is $1,000, Third Prize is $500, and ten finalists will receive $100 each. All entries will be considered for publication.

Vela’s Nonfiction Contest

Deadline: March 31
Vela publishes literary journalism, essays, memoir, and narrative nonfiction written by women and inspired by travel. We’re looking for creative nonfiction with a strong voice, a compelling narrative, and/or a powerful driving question. We’re interested in a wide range of essays and stories, including literary journalism, personal essays, memoir, and expository or experimental essays. We are not a “women’s magazine,” and are not looking for work that is written solely for a female audience.

Winners in each genre receive a $1,000 prize and publication in BWR 41.2, our Spring/Summer 2015 issue. One runner-up from each genre will receive $100 and finalists will receive notation in that issue and are considered for publication.
We are looking for prose that is arresting, that grabs us from the first word and refuses to let go, that blows our minds or breaks our hearts. We want to read prose that feels unexpected, prose that fearlessly extends the boundaries of form, language, and narrative.

Deadline: May 31, 2014
We’re looking for stories that are honest, accurate, informative, intimate, and—most important—true. Whether your story is revelatory or painful, hilarious or tragic, if it’s about you and your life, we want to read it.
Submissions must be vivid and dramatic; they should combine a strong and compelling narrative with an informative or reflective element, and reach beyond a strictly personal experience for some universal or deeper meaning. We’re looking for well-written prose, rich with detail and a distinctive voice; all essays must tell true stories and be factually accurate.
Creative Nonfiction editors will award $1,000 for Best Essay and $500 for Runner-up.



Tuesday, November 19, 2013

Writers Forum Presents Susan Bono on the Art of the Essay: How to Write Creative Nonfiction

In her Writers Forum workshop last month, Susan Bono discussed the art of the essay, describing it as a "small, subjective look at life." The founding editor of Tiny Lights: A Journal of Personal Narrative started with a great overview of the broader genre of creative nonfiction (aka literary or narrative nonfiction), which also encompasses forms like narrative journalism or the lyric essay.

Lee Gutkind, founding editor of the esteemed online journal, Creative Nonfiction, defines the genre "simply, succinctly, and accurately as 'true stories well told'... The word 'creative' refers to the use of literary craft, the techniques fiction writers, playwrights, and poets employ to present nonfiction—factually accurate prose about real people and events—in a compelling, vivid, dramatic manner." (Excerpted from Gutkind's book YOU CAN'T MAKE THIS STUFF UP: The Complete Guide to Writing Creative Nonfiction—from Memoir to Literary Journalism and Everything in Between.)


Wednesday, October 23, 2013

South Loop Review Publication Release + The Sun Magazine Celebrates Personal Writing at Esalen

Some great things are happening in my writerly world these days! First, my essay "What It's Like," which was accepted for publication more than one year ago, has finally appeared in print! I was invited as a contributor to read at the launch party for South Loop Review Volume 15, but alas, I couldn't make it to Chicago. This week, Oct. 21-24, Columbia College Chicago's department of journalism and department of creative writing co-host their annual Creative Nonfiction Week. This year's theme is titled "Hybrid Forms." I'm in awe of this institution, which stood next door to the main AWP conference venue I attended last year, and I appreciate their commitment to exploring CNF:

Creative Nonfiction Week highlights the booming literary genre, which pairs techniques of fiction, poetry, film and other forms of storytelling with journalism’s commitment to facts. This year’s event includes artists blazing new paths in graphic/comics journalism, radio and live performance storytelling, and filmmaking.
So I'm not headed across the country, but I am driving south to Big Sur Friday morning for a fantastic writing workshop at Esalen, hosted by The Sun magazine -- "for a weekend of investigating our lives through the written word. We’ll discuss essays, fiction, and poems with their authors, who will lead exercises geared to bring forth similar elements in your own writing. Readers Write–style writing sessions will help get your pen moving."

Months ago, when I attempted to register for Into the Fire: The Sun Celebrates Personal Writing, I was put on a lengthy waiting list with fingers crossed. I long gave up hope of going until I recently received a phone message and jumped at the opportunity. It's insanely expensive, but it's my birthday. Along with two nights' lodging and delicious meals, there are numerous writing workshops with Sun contributors like Ellen Bass (I'm bringing her the letterpress card I made with her poem) and Frances Lefkowitz, whom I've blogged about before -- plus a personal meeting with Sun founder, editor and publisher Sy Safransky himself.  Not to mention soaking in hot springs on a cliff overlooking the ocean!

Lastly, I'm almost done revising the first essay in my thesis collection -- a reflective story that investigates my parents' secret premarital life on Greenbrae Boardwalk in 1966. Each time I think it's ready to be sent out for consideration, back to the keyboard I go. My wife has been an invaluable first reader for my work, and she graciously spent several hours combing through the latest rendition with me over breakfast, both of us cringing at the perilous process of restructuring I faced ahead... again. I've managed to cut it down from 25 pages to 17 by tightening the prose and cutting away at whatever was extraneous. Since diving back into the fire, I've been re-inspired to continue revising...


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