Showing posts with label Mary Karr. Show all posts
Showing posts with label Mary Karr. Show all posts

Monday, October 5, 2015

The Art of Memoir: Mary Karr Speaks at USF on Recovery, Spirituality, Prayer and Writing

"I was a heathen most of my life," said Mary Karr, University of San Francisco's inaugural speaker in the Ignatian Lecture Series on Writing and Spirituality in mid-September. "It was more likely I’d become a pole dancer or a drug mule than a Catholic."

It's the kind of quick wit Karr used throughout the evening talk, interlaced with humility and generous honesty, as she discussed the role of religion in her life and in her work. Before she became an acclaimed writer, she had some "bad jobs" including crawfish trucking.

Now the award-winning poet and New York Times best-selling memoirist of The Liars’ ClubCherry, and Lit has a new book: The Art of Memoir

But her discussion hardly focused on the book or its promotion. Mostly, she talked about prayer. 

"I ask God what to write and try to write out of that," said the self-described "black-belt sinner" who, growing up, never really believed in God, which she likened to believing in the Easter bunny. 

Twenty-six years sober, Karr described her last drink"hitting concrete" in a car accidentand says she "became teachable in that moment." She said she prays and pursues spirituality "because I want to be a little less of an asshole."

Today, Karr also uses prayer as a writing ritual. But she was clear that opening to inspiration is a daily practice: "God didn’t offer a 5-year plan for a manuscript."

In the beginning, she started with rote prayer. Eventually, she said, "something started happening—a quiet place opening up inside; a moment of peace." She said Catholic communion was like poetry. 

Eventually, it was through prayer that Karr tuned in and turned down a seven-figure advance for Lit. She said she never second-guessed her decision, and the book ended up in a better situation. In fact, without her spiritual practice, she didn't think she'd have written anything with the success she did. 

"I’m not a good writer. I’m a dogged little bulldog of a rewriter," said Karr, who described the first draft of Lit as "glib and shallow" and joked that her first drafts wouldn’t get her into the MFA program at USF.

Lest you mistake her mastery for writing ease, here's a reality check:

Liars' Club took her three and a half years to write, unless you count the four years she first attempted it as a novel. "I almost have to count the 15 years I was in therapy before I wrote it," she added. Lit took nine years to complete: "I threw away twelve hundred finished pages. I broke the delete key on my computer."

Karr teaches at Syracuse University, which awarded her an honorary doctorate in 2015. In response to an audience question, she said she's learned from her students that writing is "extremely hard and extremely lonely." She described writing memoir, in particular, as psychologically and morally jarring. 

Thankfully, that hardship never stopped the critically acclaimed writer from working to completion.

"It hurts and you cry and then you put back on your big-girl panties and put your butt back in the chair."

Sunday, March 10, 2013

Ready to Write: Submitting to Writing Contests

It's writing contest time in the literary world. Or, at least in my case, finding out I didn't win a writing contest. Sure, it's a long shot submitting that essay or story you've revised and revised for a needle-in-a-haystack chance at prize money and publication (although submitting last year to South Loop Review: Nonfiction + Art did result in the latter--to be printed in the Fall 2013 issue--a long, but worth-it wait akin to the yearlong process of book publication).

The recent rejection to which I am referring is the first annual Sycamore Review Wabash Nonfiction Prize, selected by guest judge Mary Karr (poet and author of The Liars' Club, Cherry and Lit):
"Congratulations to our winners and finalists, and thank you to all who submitted. We received an astounding 326 submissions in this first year, and many more poignant, moving submissions than we have room to mention. Our editorial staff enjoyed reading the work of so many talented writers."
Alas, I'm gearing up again, considering which of my personal essays from my thesis collection to submit, and where. Competing against literature and writing professors with published books and other credits in their bios can be intimidating at best, discouraging at worst. But, for me, I think it's less about keeping an eye on the prize as it is just getting a piece dressed and out the door. Sometimes a contest deadline provides the motivation I need to do just that.

There's also something intentional about the process. Browsing literary journals online, reading submission guidelines, revisiting my own work and taking it seriously enough to try -- all make the effort worthwhile. Even the submission fees (usually hovering around $13-15) are a worthy investment, as they go toward a yearlong subscription -- often 1-2 volumes per year. When I recently received the latest South Loop Review, a sizable book full of innovative work I'm thrilled to soon add my name to, the price was a small one to pay.

Finally, in terms of considering whether or not your own work is ready for the submission process, here's some advice straight from the source -- a blog entry, "What Captivates Us," by Sycamore Review's nonfiction editor, Shavonne Clarke:
When I read through Sycamore’s nonfiction submission pile, those pieces that grip me most seem almost self-aware in this way. Either they have excised those dull bits from their memories, or they have transformed them into something fascinating. They are full of tension. What will happen, I wonder, but of course, everything in an essay has already happened. This is where an essay becomes masterful: what has happened in the past becomes, for the reader, the present. As with a good short story or novel, these essays are capable of transporting me. There is a journey to be made, a path to be forged, and all of it matters because I imagine that the writer is still grappling with it now, today, this very moment. These memories are still breathing, creating a narrative that will bring us to a new place, to an insight into our condition. 
With many deadlines beginning mid-March, here are a few great links to get you started (thanks to Kathy Crowley at The Review Review):


Saturday, October 13, 2012

Too busy to blog, but enough time to brag a bit

Reading fairy tales, age 7 (photo taken by mom)
My post-MFA career is taking off at full speed, just as the weather turns toward fall and I turn another year older. I long to spend my days curled up on the couch with a good book (I've got a leaning tower by my bedside, always threatening to topple), but I feel blessed to find an abundance of work in my field--reporting, copywriting, teaching and soon tutoring.

For six weeks I've been a Towns correspondent for Sonoma County's largest newspaper, the Press Democrat. Each week I post to an events calendar and several short posts to two WordPress sites, as well as write a centerpiece featured in print in the Sunday Towns section. Here's my latest profile on Homecoming at Rancho Cotate High. One of the students asked, "Is your job fun--just going up and talking to random people?" Like, totally. (Especially ironic as this week is my 25th high school reunion!)

I've just begun reading my 60-page style guide (is that one word or two?) for my new copywriting position with Viator, a worldwide travel company based in San Francisco. I'm on a freelance contract, working from home, so I set my own schedule writing online tours and activities for Central/South America, Scandinavia and the African continent. Great job for my skills set!

I absolutely love my little 4th grade munchkins at two local schools where I teach creative writing through the Bay Area organization "Take My Word For It!" One of our writing ground rules is never to preface your work with an apology ("This isn't really any good, but..."), which I'm realizing isn't so necessary for little ones who haven't yet internalized the critical voice. They write thoughtfully and furiously, always with eager hands to read their writing aloud and proud. I'm not sure when I'll find the time, but soon I should be tutoring in town with Grade A.

And today I received the great news that my 150-page creative thesis passed with flying colors ("a refreshingly candid collection of essays... crisp, clear-headed, and measured prose... every page a pleasure to read")! I know it's a long shot, but I've already entered the opening essay to the Wabash Prize for non-fiction contest, judged by poet and Liar's Club memoirist, Mary Karr.

Related Posts Plugin for WordPress, Blogger...