Monday, September 30, 2013

Laura Ingalls, Little House and the power of rewriting with little ones

Last weekend I spent time with my wife and a few friends in the country, listening to the first rainfall and basking in its extraordinary light. Morning cups of coffee were accompanied by episodes of "Little House on the Prairie," watched with a five-year-old friend.

Azalea, who likes to be called Half-Pint and pretend she's drawing water from the well, was profoundly affected by the sad and sometimes scary circumstances of the characters, especially the post-Emancipation Proclamation decisions posed by Solomon. This young African American boy had to choose between his own aspirations for an education (the only black child to attend the one-room schoolhouse) and returning to his family and their sharecropper life in the fields.

I described Solomon as being 'torn' between going to school and going home, to which Azalea affirmed: "He has two pieces." After shedding some tears along with the entire Ingalls family, my young friend suggested we write the story down. It's a fascinating process to see a kindergartener's mind at work on all the points of storytelling -- pulling out the most salient points and ordering them for effect -- even with its fairytale ending that speaks for a sense of hope in the face of injustice.

Here's the recap I typed on my laptop (a direct narration) and the clipart she chose to illustrate it:


The Decision of Solomon

Solomon left home to go to school in Walnut Grove. He stayed with the Ingalls. Solomon’s older brother peeked in the room to come and get him. His Ma made Solomon a present. It was a shirt or a scarf. Then Solomon started to have tears in his eyes. He had to leave. 

Miss Beadle, Laura, Solomon, Mary and maybe some of the other class were crying. Pa and Ma were crying. But they all lived happily ever after at their own house.


Thursday, September 26, 2013

If Only...

With the recent autumn equinox, I'm feeling the season's changes -- the smell of garden tomatoes roasting in the oven in rosemary, thyme and garlic-infused olive oil fills my kitchen this morning. What else is stewing?

Last week I finally pulled my favorite essay from my thesis collection to revise and polish for publication. What a relief it was to break through the wall of writer's block I've had! What challenging, mind-boggling joy it is to cut and paste sentences and sections as I restructure the puzzle pieces and rediscover ways to move the story forward... and I'm still in the thick of it.

While I'm aiming high with this submission (I've got ZYZZYVA or even The Sun Magazine in mind), publishing one's writing can take many forms. Sometimes, just to get your words out there, it's great to post on a blog or other public forum.

Marlene Cullen -- founder and host of the Writers Forum -- offers a monthly prompt for writers to post on her website The Write Spot. When I saw September's writing prompt "If only..." I immediately pulled from my file cabinet a binder of poems written in my youth and opened to a page titled the same. This poem of longing begins:

If Only...
I lived in a Mission flat,
I could hear laughter 
of children who speak two
languages.. 

Read on... including others' submissions on the same page.

Monday, September 23, 2013

18th Annual Watershed Environmental Poetry Festival on Saturday, September 28, in Berkeley

Watershed Logo by Shane Eagleton
I missed the the Sonoma County Book Festival over the weekend, but on my wall hangs a reminder of last year's festival as I purchased one of 150 broadsides printed by Poltroon Press for the annual Watershed Environmental Poetry Festival. The print features a lovely nature poem -- "July Notebook: The Birds" -- by Robert Hass (US Poet Laureate 1995-97) and an illustration of an egret by artist Jinny Pearce.

This Saturday is the 18th Watershed Environmental Poetry Festival, a collaboration of Robert Hass, Poetry Flash, Ecology Center, Berkeley Farmers' Market, Ecocity Builders and in conjunction with 100 Thousand poets for Change, Pegasus Books Downtown, and Moe's Books! If you're in the Bay Area, hear Pulitzer Prize-winning poet and essayist Gary Snyder read! Here's the lineup from the official flyer:

Thursday, September 19, 2013

Blog Re-post: '10 Tips to Form a Writing Routine' by Trish Loye Elliott at Wordbitches

Keeping in line with reigniting the creative life, I'm back to posting on writing, revising, publishing or just keeping your tuchas glued to the darn chair.

This week someone on my Redwood Writers listserv sent along "10 Tips to Form a Writing Routine," posted by Trish Loye Elliott ('a stay-at-home mom who drinks too much tea and tries to stay sane by writing down the crazy stories in her head'at the new-to-me blog Wordbitches. This small group of writers started the blog from a writing group to keep themselves accountable to their goals -- writing a minimum of 500 words daily. If you'd like to join in and report on your progress, let them know on Twitter using #wordbitches.

Here's a short recap of the 10 Tips list, but please click on the Wordbitches post to get the full details. Reply there if you have anything to add!

Monday, September 16, 2013

Reigniting the Flames: Going on An Artist Date

I've been on a long hiatus; it's been three months since I've updated paper-pencil-pen! Chalk it up to my writer's block -- or blogger's block. First, it was all the wedding planning (yes, m'lady and I legally tied the knot at the end of June!) followed by a honeymoon to southern Utah in July. Well, somehow August and half of September came and went... with my eyes mostly glued to the computer for the copywriting job I've held since last October. I do have aspirations to get back to the creative work.

So, last week I made a jumpstart by taking myself out for what Julia Cameron calls an "artist date" in her book The Artist's Way: "The Artist Date is a once-weekly, festive, solo expedition to explore something that interests you." (Click on the hyperlink for more info from her blog!)

The Sebastopol Center for the Arts held an opening for its juried exhibit ABZ EtCetera: "work that explores the use of letters, numbers, symbols, characters, text, books, calligraphy but also images of graffiti, murals and letter envelopes"



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